Curating a Luxury Collection of Family Portraits

In this group of artists, intimacy, memory and abstraction intersect in various ways, however all share a level of sensitivity to the fleeting: the neglected image, the half-remembered place, the unsteady limit between what we see and what we feel. Together, they form a peaceful but insistent meditation on how suggesting builds up in normal life.

Taken together, rendered in her unique painterly design, these retellings of easily-forgotten moments show how a normal life, when taken a look at from a specific point of view, begins to radiate a palpable sense of significance.Rosemary Burn Bowl of cherries, 2025 Mona Sultan's photocollages explain the fragmentary nature of memory and meaning, calling photographic truth into concern by breaking down, recontextualising and duplicating images. Balancing organized precision with a noticeably human, necessarily imperfect visual perceptiveness, his paintings are lighthearted abstractions for the digital age.Luke Rudolf Fizzog 4, 2025 Jo Berry's airbrushed paintings give physical types to images that we typically see via a screen andquickly forget, such as stock pictures and ReCAPTCHAs. To me, her unique language hazy, distorted, subtly unsettling shows the alienation and dissociation fundamental in a world filled with images that appears to appear and vanish ever-more rapidly. A shadow, a handstand, a large curtain draped over a houseplant: by photographing such things, he provides them a second life in which they become irreversible. Emile Kees Handstand, 2023 Jo Hummel's minimalist abstractions have a certain ahistorical quality; they link numerous histories of material experimentation and production from around the world within a distinct visual language. They situate the audience within landscapes that feel endless with a low mist hanging over the horizon. Though unknown, these images are deeply serene, inviting you to revel in the basic pleasures of a perpetually twilit, pastoral world.Llus-Carles Peric Cap a La Calma, 2014 The scenes that Bianca MacCall paints a train window showing the carriage's interior over the passing landscape; a barely-visible car concealed by an ochre-yellow curtain appear deliberately strange. They make me think about the simultaneous absurdity and charm of the world in front of me, considering familiar scenes through an unfamiliar lens. Bianca MacCall Perpetual Movement, 2023 Henry Ward's painting practice is ever-shifting. If you stand in front of one of his paintings for long enough, you may see it change in genuine time. The unsettled, unforeseeable nature of his work is what makes me keep returning to it.Henry Ward Bethany III, 2023.