How to Preserve Family Heritage With Archival Prints

In this group of artists, intimacy, memory and abstraction converge in different methods, but all share a level of sensitivity to the short lived: the ignored image, the half-remembered place, the unstable border in between what we see and what we feel. Together, they form a quiet but insistent meditation on how suggesting builds up in regular life.

Taken together, rendered in her unique painterly style, these retellings of easily-forgotten moments show how a regular life, when analyzed from a certain perspective, starts to radiate a palpable sense of significance.Rosemary Burn Bowl of cherries, 2025 Mona Sultan's photocollages describe the fragmentary nature of memory and significance, calling photographic reality into question by breaking down, recontextualising and repeating images. Balancing systematic precision with a clearly human, always imperfect visual perceptiveness, his paintings are lighthearted abstractions for the digital age.Luke Rudolf Fizzog 4, 2025 Jo Berry's airbrushed paintings provide physical forms to images that we usually see by means of a screen andquickly forget, such as stock photographs and ReCAPTCHAs. To me, her distinct language hazy, distorted, discreetly disturbing shows the alienation and dissociation intrinsic in a world filled with images that seems to appear and vanish ever-more quickly. A shadow, a handstand, a large drape draped over a houseplant: by photographing such things, he provides a second life in which they become irreversible. Emile Kees Handstand, 2023 Jo Hummel's minimalist abstractions have a particular ahistorical quality; they connect several histories of material experimentation and creation from around the world within a distinct visual language. They situate the audience within landscapes that feel limitless with a low mist hanging over the horizon. Unfamiliar, these images are deeply peaceful, inviting you to revel in the easy satisfaction of a perpetually twilit, pastoral world.Llus-Carles Peric Cap a La Calma, 2014 The scenes that Bianca MacCall paints a train window showing the carriage's interior over the passing landscape; a barely-visible vehicle concealed by an ochre-yellow drape seem deliberately strange. They make me believe about the simultaneous absurdity and appeal of the world in front of me, thinking about familiar scenes through an unknown lens. Bianca MacCall Perpetual Movement, 2023 Henry Ward's painting practice is ever-shifting. In reality, if you stand in front of one of his paintings for enough time, you may see it change in genuine time. The uncertain, unpredictable nature of his work is what makes me keep going back to it.Henry Ward Bethany III, 2023.